I’m excited to participate in a virtual show hosted by Michael Rose who is an art historian, gallerist, appraiser, and gallery manager at the Providences Art Club in Rhode Island. Michael created the exhibition in response to COVID-19 and the corresponding gallery closures. The exhibit features 30 works by artist from across the globe, in various stages of their careers.

This exhibition was created to celebrate the 25th anniversary of the sister city relationship between Norman Oklahoma and Clermont-Ferrand. We Belong to the Land presents art works and historical documents that examine Oklahoma’s roots including Native Americans. Participants in the show presents a view of yesterday and today. Free exhibition for all, Hall Gaillard, from December 13, 2019 to January 2020., 18

This article is for all of us oil painting nerds who love to try something new. In late 2018 I began to make oil paint sketches on paper. I hadn't used paper as a substrate for oil paint before, but was encouraged to give it a try by artist Angela Piehl. After completing my first experiments on paper, I was hooked. Oil Paper offers a quick and easy way to make expressive oil paintings and experiment with painting mediums. I love using it for my monochromatic oil sketches. They generate compositional ideas for my larger paintings and enable me to explore the vocabulary of color and movement. These new works on paper have been exciting to create and have energized my painting practice.

If you can’t tell, I love blue. But not just any blue. Ultramarine has really captured my attention this year. I have been working on a series of blue monochromatic works on paper. This show features 6 of my newest works.